Archive for the 'Audio Technology' Category

My Gearlust: Tenori-On

Okay, so my first true gearlust in a very, very long time. I’ve known about these things for a good long while, but I’ve been keeping myself blissfully ignorant of these devices, but have decided once and for all - MUST HAVE. The bad news? According to CDM this morning, they launch May 1 for $1200, and only 100 will be available, with 100 more available per month after that. I don’t want to think about what the demand will be, but somehow, someway….

In the meantime, allow Toshio Iwai demonstrate via live performance:

want

i can haz drummin robot wit pahrtay in boxez? kthxbai…


International Dance Party! The full length video of this crazy and funny party machine! from Niklas Roy on Vimeo.

Jean Michel and his Synthesizers

Live 7

It’s official….

NATIVE INSTRUMENTS : Products : Dj Line : Beatport Sync

NI has partnered with Betport to release a free audio player/simple DJ software based on Traktor:

Beatport SYNC is a powerful audio player with basic DJ functions developed by Beatport and Native Instruments. Based on the award-winning TRAKTOR 3 technology, this free software for Mac and PC lets you mix tracks like a DJ using the two virtual decks, a crossfader and auto beat sync function. Beatport SYNC offers powerful track management, access to DJ radio stations, plus an integrated Browser to instantly buy and download the latest tracks from the comprehensive Beatport Online Music Store.

Haven’t checked it out yet, but Create Digital Music has nice things to say about it. Oh, have I mentioned that Logickal is on Beatport? Just sayin’.

Live 7 - New features…

LIVE HAS A SLICER. Drum Racks have to be seen to be believed. Fortunately, you can watch the preview movie at Ableton and see that this is a huge update to the creative flow - take a sound and warp it as you normally would - drop it into a Drum Rack for Rex-style midi sequencing - apply effects to individual slices as you break out each slice into it’s own integrated track… One of those things that you have to see to really understand.

The audio and MIDI engines are getting complete overhauls. With POW-R dithering and 64-bit summing througout, will I no longer want to move to Logic for mixing?

The EQ8 and Compressor devices have been updated, and Sidechaining has been implemented in Compressor, Gate and Auto-Filter (yay!). A RTA device called Spectrum, anti-aliasing in Operator, Dynamic Tube and Saturator, multiple automation lanes in the arrange (can we move automation between the arrange and clips yet?), tempo nudge, Rex Support and who knows how many other small improvements here and there.

They’re adding three new instruments - Electric, Tension and Analog, all of which are based on technology licensed from Applied Acoustics and are esentially integrated versions of Lounge Lizard, String Studio and Ultra Analogue. Where is the Cycling74 collaboration going to come into play? Or has it already somewhere?

Anyway, it’s obvious that the next month or so is going to be fun…

Cycling 74 Worships the Daevl

OK, not really - but they did do an incredible interview with our friend Vlad Spears, the mad genius behind the Daevl.Plugs. You should go now and check out all the fun (including lots of youtube goodness!), as well as his take on the interview with the kind people of C74 over on 2Second(fuse)!

ScienceDaily: Essential Tones Of Music Rooted In Human Speech

Thanks
he particular notes used in music sound right to our ears because of the way our vocal apparatus makes the sounds used in all human languages, said Dale Purves, the George Barth Geller Professor for Research in Neurobiology.

It’s not something one can hear directly, but when the sounds of speech are looked at with a spectrum analyzer, the relationships between the various frequencies that a speaker uses to make vowel sounds correspond neatly with the relationships between notes of the 12-tone chromatic scale of music, Purves said.

via Threv

Synth Of Mine’s QM synthesis

Must go… download… drone!

Synthesis general informationName: Quantized Modulator (QM)

Root-class: Frequency Modulation (FM)

Fundamental principle: spectral frequency interference of a modulated wave as result of sample-quantization of the modulator wave (conjectural description)

Synthesis potential: multi-harmonic sweeps, pseudo-vowel sweeps, drones, pseudo-sequenced harmonics, quantum and radio noise emulation, general special FX creating and experimental purposes

Technical minimum: 3 oscillators [2 waveforms 1 clock] sample

DIY Audio Projects

A great resource of audiophile amplifiers, speaker and the like.

Break out the soldering irons!  Hat tip to CDM.

Dancing with thee Daevl…

Some of you who have been actually reading this blog might recall a few mentions of the daevl.plugs collection released this Halloween. The brainchilde of musician/code wizard Vlad Spears, this is the coolest little collection of plugins I’ve run across in quite some time - full of esoteric sound bending capability, just the way I like it. I’m still working on the official review, along with a special episode of the podcast that will accompany it, but you can always visit the Daevl.Makr website and check the plugins out.

As a special added bonus, Logickal was chosen to be the first in a series of Artist features, which led to a very entertaining Q&A session and recording three tracks which prominently feature the plugins (Thanks, Vlad!). Has Logickal sold his soul to the Daevl?   You’ll have to ask the Gods of Rock.
So, head over there and join me as a Daevl in the Pale Moonlight!

Awesome Ex-QWERTY Live Controller

Bill Van Loo recently posted on the Ableton Live Forum about the USB keyboard he re-purposed as an Ableton Live. This is an awesome idea - the only drawback for me would be that I’d currently have to take my powered USB hub to Logickal gigs, something I try to avoid (but also something that could change in the future). You can check out all of the photos of the controller’s construction over at Bill’s Flickr set, and make sure to check out his Website, Blog and Music while you’re at it!

A bit pricey?

M-AUDIO - NRV10 - 10 x 10 FireWire Digital Audio Interface | 8 x 2 Analog Mixer with Effects

Effects?  Who needs effects?

Putting the Daevl back into music, one computer at a time

Vlad Spears of the 2Second(fuse) blog has developed an absolutely incredible collection of VST/Audio Unit plugins for OS X - Daevl.Plugs.  I’ve been working with them non-stop for the past week or so while they were in beta, and have not been so impressed with a collection of audio manglers in quite some time.  Thanks to Vlad for the incredible plugs and the opportunity to join The League of Extraordinary Beta Testers - I’m working on a full review right now, but you can run over there and grab the demo and get to Daevl-ation.

In the meantime, I’ll remind any Nashville-area folks that you’ll be able to hear these plugs in action at Buzz & Click IV, coming up this Saturday…

Daevl in the Details

Among the other reasons why October 31 is bound to be fun, I truly cannot wait for these plugins.

The Covert Operators

Ableton Live-focused sound designers and add-on purveyors extraordinaire The Covert Operators have updated their site and filled it with Live 5-6 tips, tricks and other goodness.  Live users should proceed to their site, post haste!

More on the Audio Kontrol I

Peter Kirn over at the always-wonderful CreateDigitalMusic has a different perspective (not to mention a better writeup) on the new NI hardware. In his message boards, Peter rightfully (but tactfully and indirectly, mind you) puts my hyperbolic equation of new NI hardware with the reason we don’t have Universal Binary versions of their software into perspective, and brings up a number of other points in this forum post that I totally agree with. In the meantime, I’m going to repost my missive from that thread into my blog because… well, I can. Here goes:
It looks like it’s a nice little audio interface, in a sea of nice little audio interfaces. In fact, it’s probably well within the realm of hyperbole to say that NI’s infatuation with hardware is taking away from their software development. NI’s development strategies have often left Mac users on the back burner, so the long wait for UB isn’t exactly a surprise, right?

I do think that you have to question the current strategy/philosophy at NI right now - what does it say to users of their products that they’re more interested in releasing (what are IMO) unremarkable products rather than updates to their core product line to bring them to the state of the art? Okay, I’l give them the fact that Kontakt and Reaktor both had version bumps in the past 12 months or so, but… I know KORE has made a lot of people pretty happy, but revolutionary? That’s hyperbole for ya.

People have been talking about NI stretching themselves too thin for a while now, but I think it’s official. I mean, the majority of the software announcements they’ve made recently have been related to repackaging their Kontakt engine around various concepts (cough*Bandstand*cough). There’s nothing wrong with this, in and of tiself - like you said, we’re talking marketing rather than engineering here, and their sampling line is easy, low-development-overhead, come-up-with-a-catchy-name money in a bucket.

I think the disappointment comes for us long-time users that this is the company of Generator! Reaktor! Battery! Absynth (although it was cool even before NI was involved)! Now we get told that “high-end, professional sound quality, versatile connections, advanced controller functions and a compact and sturdy design”=”innovative”.

You know, I remember when everyone wished that NI would make a piece of hardware to off-load Reaktor ensembles to an external device, allowing us to free up our poor CPU’s for running our host programs. NI pretty much said “Never going to happen - our name is NATIVE Instruments, which means our devices run NATIVELY on the host computer!” Oh, those were the days. Unfortunately for NI, they could make a dedicated Reaktor control surface/audio interface/Ensemble host and they would probably price themselves out of the market, because we don’t need that device like we used to.

Or at least, I won’t, if they ever release UB versions of their software.

(Side note - It’s true that Adobe still hasn’t released a UB version of CS2, and has made it a point that they won’t, waiting for CS3 to go native on the Intel side. Now, somewhere on Adobe’s site there’s an excellent blog post from one of the developers explaining this decision, but that’s beside the point. CS2 will run using Rosetta - NI software won’t. At All. The only people complaining about CS2 performance on Intel Macs are designers who are also dual G5 owners, who are sticking with their G5s until they get CS3 in their hands. Those of us working back on the G4 platform are still seeing performance increases under Rosetta… Or at least, I am.)

What Native Instruments has been up to…

…and why they still don’t have Universal Binary versions of their software:

AUDIO KONTROL 1 - Fusing Innovation and Quality

I guess CORE was such a big hit that they really felt they needed to get some further fingers into the Audio Hardware pie. Okay, Audio Kontrol 1 is a USB audio interface, wth 2 ins (1 Mic/Line, 1 Line), 4 outputs, headphones and (here’s the kicker) three assignable buttons and 1 controller knob (That big round thing on the top).

Umm…. Guys? Do we REALLY need another 2×4 USB audio interface? Don’t you think that supporting Intel Macs is maybe even slightly more important?

Introducing Sampler

sampler-1.png

The other big NAMM announcement from Ableton is a new integrated multisample playback device, imaginatively named SAMPLER. We don’t know a whole lot about it yet, so some inferrence has been done by pouring over AdamJay’s screenshot. It does look like we’ll be able to test it along with the rest of Live 6 once the public beta starts. Let’s take a look at it below the fold: Continue reading ‘Introducing Sampler’

Live 6 Official

live_6.png

Okay, so it’s here - Ableton Live 6 has been announced, along with a new look for the Ableton site. In addition, we have a really exciting new integrated instrument called Sampler (as opposed to the existing Simpler… get it?). A detailed preview follows the break, and I’d love to hear any comments you other Live Fanatics out there might have - just hit the comments. Ok, ready? Let’s take a look, shall we? Continue reading ‘Live 6 Official’

Live 6.0 Teaser

It’s been a morning of anticipation in the computer music world, as Ableton was scheduled to unveil version 6 of everyone’s favorite performance DAW at 10:30 AM at the NAMM Summer Session show in Austin (alas, no longer here in the BNA for me to scam my way in). Around the time of the scheduled announcement, the official Ableton forum was crowded with fanboys waiting for the first sign of an announcement (yes, I count myself in that crowd as well). Then, the website stopped responding to requests - a sign that could mean only one thing…

Except it didn’t. As of now, the only information comes from a basic feature list on the M-Audio site, while Ableton has yet to publish any fancy deep-dish infos. I’d love to start commenting on the new feature list, but for some reason, I feel compelled to wait for Ableton themselves to bring the noise, while the discourse flows free over at the official forum.

I will say this - as the owner (albeit not current possessor) of an Intel Macbook, I’m REALLY looking forward to dual-core support, a feature we’ve known was going to be included for a while now. Also being able to work to picture? Expect video to finally start flowing out of the Offnominal Compound….

What it’s all about…

l18.jpg

For further insight into the psyche of Audiomanipulus Logickalus, visit these links:

BBC Radiophonic Workshop

Radiophonic Gallery

t-u-b-e klanggalerie - radiophone kunst - installationen - audio-performances

high quality multichannel audio exchange between them and the t-u-b-e venue.

tubePlug runs as a VST/AudioUnit plug on MACOSX 10.3.9 or higher (universal Intel/PowerPC) and as a VST plug on Win9x, WinME, WinXP. You can use your favorite audio host (e.g. Cubase, Logic, Plogue Bidule, MAX/MSP, PD, etc.).