Archive for the 'creative-commons' Category

Ghostss: NIN Video Remix as an Online, Creative Commons-Powered App

Online remix contests are all the rage these days. User-generated content is becoming this decade’s latest annoying buzzword. But visualist engineer Marco Hinic took a different approach. He didn’t create one video remix. He created an app that can create endless video remixes. Nine Inch Nails Ghosts, meet random visual mash-ups from Creative Commons-licensed online videos. Marco describes the effort:

A few days ago I released the web site ghostss.com; it’s my entry to the NIN Ghosts Film Festival.

It’s an online video remixing application. It builds playlists describing a mix of videos with effects and renders them as an .flv Flash Video file. All the content is on the web site — around 1 gig of video loops and a few mp3’s from NIN music.

In accordance to NIN music, all Videos are licensed under a Creative Commons Attribution Non-Commercial Share Alike license.

The web site is a mix of c++, php and javascript for the client side. Basically the client builds a playlist with video references and effects, the playlist is translated into an xml request that is sent to the web site. The video mixer on the web site render the request into an flv or mp4 file that is then played to the client.

Yep, you read that right: it’s a website coded in C++.

Where would an engineer appear with the technical chops to do such a thing? Well, as you might think, only a select few do. As it happens, Marco is behind one of the most influential desktop VJ apps available today.

I am the founder of ArKaos so I do play with pixels since so many years, I started working on video mixing software around 1992.

This is a new technology I am currently working on at ArKaos.

I think that we are close to the point were the web will be more than just used to share video and this is an example.

I could even allow people to upload some clips or customize some texts but because I have a lot of work at ArKaos so I did limit the human interaction to tweaking the settings.

Marco is actually CEO of ArKaos, as well as the engineer of its engine. Regular readers are of course very familiar with ArKaos, but I hope we attract the occasional reader to whom this is new; if that’s the case, go check out the software we’re talking about. (ArKaos are also working on a new generation of their software entitled GrandVJ.)

This brings up an interesting point, though. People are fond of hyping the blurring divide between Web and desktop apps. But they are too often focused only on the Web side, and only on ways in which Web apps are superficially becoming more like offline or “desktop” apps. The “rich” in “rich client,” by contrast, may involve elements just like the hard-core video processing seen in this app. Too often, those involved only in Web development obsess over tiny details of text rendering and UI and miss out on the media processing power modern computers have. It’ll be interesting to see that start to shift; I think the addition of more rich capabilities is inevitable.

Marco probably has a deeper perspective on this than I do, though, so Marco, we’ll have to talk about that at some point!

In the meantime, go play with remixing Millions of Ghosts of user-uploaded video. The results have an eerily ghostly quality about them, I have to admit. (And, of course, our goal as VJs and visualists is to try not to look like we’re a random algorithm arbitrarily mixing video content!)

http://ghostss.com/

Radiohead Use Creative Commons for Music Video Data; Visual “Stems” the Next Big Thing?

Labels and artists are only now catching on to the idea of letting fans remix their music, and are even slower to give those fans access to individual stems. But where musicians have embraced this idea, they’ve gotten surprisingly big outpourings of support — thank a culture that’s gotten savvy with digital music tools and consumes more music than ever.

While that change continues to spread slowly, though, audiovisual remixing could already have a jump start.

Radiohead: Big news for fans of data visualization, the coding tool Processing, and Creative Commons: Radiohead have "shot" their latest video using only 3D scanning devices in place of cameras, and they’ve made source code and the data (in friendly CSV files) free. The whole thing is released under a non-commercial / ShareAlike CC license, which is well-suited to remixes in general.  So, to anyone who was disappointed that Radiohead didn’t use a Creative Commons license for their remix contest, now you’ve gotten something you didn’t even ask for — three-dimensional, animated data of Tom Yorke’s face. And because this is essentially raw data, it’s unusually open to interpretation.

Visual stems? By total coincidence, Create Digital Motion’s Jaymis wonders aloud if the entire A/V scene couldn’t be given a jump start by two obvious (but strangely elusive) decisions: 1. release video "stems" for music videos to give people free access to them, and 2. go get a real visualist. Some artists have done #1, of course, but there wasn’t a specific name given to the result, and they’ve more often than not released full videos — so here you go.

Both stories are covered today on Create Digital Motion:

Radiohead Makes House of Cards Video with 3D Plotting, Processing; Gives You the Data

To The Next Level of AV Remix Culture: It’s Time to Release Music Video “Stems”

But I think it’s well worth asking readers here on CDMusic, too. Music sampling and even remixing may be old news — even if copyright protection remains the norm. But could opening up visual remixes and free visual interpretation re-energize how people think about music?

Of course, this isn’t just for the sake of doing it. Jaymis launched his discussion partly because he wanted something more expressive at a performance, and Radiohead’s CC decision allows them to take an experience that would be pretty limited (a few minutes of cool video) and make it far less so (live data and code remixed by especially-savvy fans). Likewise, the CC license is essential in the latter case; there’s far less incentive to fans to code their own visual software if they can’t share ownership of the result, or — just as importantly — share the resulting code with each other. (The tool the band’s video used, too, wouldn’t even exist without the open source community that created it.)

So, what’s next — particularly if you’re not as famous as Radiohead?

Aurora: Gorgeous, Open Source DJ-Style USB Controller; Details from the Creators

The Aurora 224 is a DJ-style controller geared for software like Ableton Live. The design is, as you can see, gorgeous: not only is it at the high end of aesthetics in open gear, but it celebrates its DIY nature by exposing the circuit board. It’s USB powered, and offers easy mixing control functions in a 2-channel, DJ-oriented layout. And it lights up and makes pretty colors.

Hack a Day broke the story –

Aurora open source hardware mixer

– but to be clear, it’s not actually a mixer; that is, it doesn’t mix audio signal. It’s just a controller in a mixer layout; any mixing and DJ functions are provided by your software. But it is freely-licensed from the ground up, under a Creative Commons license. (We’ve been seeing CC more and more in music projects, as opposed to the narrower and more programmer-oriented GPL and other licenses. There’s no word yet on which CC license applies to this project, whether it has non-commercial or ShareAlike restrictions, etc.; I’ll post an update soon. See discussion on the Virtual Turntable blog.)

A video with Ableton Live, plus CDM chats with the creators about more details:

aurora Open Source DJ Mixer\MIDI Hardware w/ Ableton Live from aurora mixer on Vimeo.

Project description:

aurora is an open source USB midi controller with user controlled ambient RGB illumination. It combines a standard DJ mixer with 18 effects knobs and 6 toggle switches in a form factor of only 7 x 10 inches. We envision the device as an alternative to bulkier, less affordable, less ergonomic commerical MIDI devices. Currently, many commerical controllers are designed with a wide range of applications in mind. For aurora, we wanted to return to the basics.

Many of us have asked for a controller with "two channels and and a cross fader." These familiar features are included, along with additional knobs and buttons for enhanced control. We believe this arrangement enhances the artist’s creativity and allows for greater control of the software. Using aurora with Ableton Live is a great example of this. Artists have already embraced digital audio and laptop performance. The mixer is designed to be portable. It easily fits in a backpack with your laptop and sound card.

We believe in open source. aurora is designed with this in mind, so essentially anyone can participate in writing firmware or software, or even create their own hardware. In fact, we encourage it, and hope to create a community of users that support this device.

For a technical discussion of the project, we have included a white paper on the website.

Aurora is Matt Aldrich, Mike Garbus and Maro Sciacchitano. They all currently reside in the DC metro area.

The Aurora Team tells CDM a bit more about the thinking behind the license and pricing (which is currently waiting on gauging interest):

We intended for this to be publicly available and 100% open source, so that anyone can build their own device at any time, exactly how they want. All content falls under the Creative Commons License The amount of interest in this project has been incredible. Regarding sourcing, we are waiting on quotes from a contract manufacturer and we will determine the cost of sourcing a fully assembled and tested controller. We expect to have the numbers Thursday and will hopefully announce the price that day. We are also exploring a simple kit that consists of a PCB and two programmed PICs for the guys who love soldering.

So got that? If you’re interested, drop them a line by Thursday! We’ll follow up with the response, pricing, and other details, and hopefully a full-on interview – if you have questions you want answered, ask them here and I’ll pass them along.

I love the idea of a simple kit; I hope they do that.

aurora mixer project site